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Browsing by Author Valadas, Sara
Showing results 19 to 30 of 30
| Issue Date | Title | Author(s) | | 2019 | Josefa d' Óbidos workshop from panel to canvas. Multianalytical approach to materials and technical evolution of the most significant Portuguese painting workshop of the 17th century | Antunes, Vanessa; Valadas, Sara; Serrão, Vítor; Carvalho, Maria Luísa; Candeias, António; Mirão, José; Cardoso, Ana; Pessanha, Sofia; Manso, Marta |
| 2021 | A Multi-Analytical Study of Egyptian Funerary Artifacts from Three Portuguese Museum Collections | Schiavon, Nick; Panganiban, Patricia; Valadas, Sara; Bottaini, Carlo; Dias, Cristina; Manhita, Ana; Candeias, António |
| 2013 | A multi-analytical study of the fifteenth century mural paintings of the Batalha Monastery (Portugal) in view of their conservation | Valadas, Sara; Candeias, António; Dias, Cristina; Schiavon, Nick; Cotovio, M.; Pestana, J.; Gil, Milene; Mirão, José |
| 2016 | New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques | Valadas, Sara; Freire, Rita; Cardoso, Ana; Mirao, Jose; Vandenabeele, Peter; Caetano, Joaquim; Candeias, Antonio |
| May-2021 | Old Goa Revelations: A collaborative project on the shared heritage between India and Portugal | Reis, Teresa; Caldeira, Teresa; Valadas, Sara; Machado, Ana; Piorro, Luís; Pereira, Fernando António Baptista; Reis, Mónica Esteves; Candeias, António |
| 2021 | On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments | Gil, Milene; Costa, Mafalda; Cardoso, Ana; Valadas, Sara; Helvaci, Yigit; Bhattacharya, Sriradha; Moita, Patricia; Candeias, António |
| 2015 | On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese- Flemish Paintings Attributed to The Master Frei Carlos Workshop | Valadas, Sara; V. Freire, Rita; Cardoso, Ana; Mirão, José; B. Dias, Cristina; Vandenabeele, Peter; Candeias, António |
| 19-Oct-2019 | A Painter in the Shadow: Unveiling Conservation, Materials and Techniques of the Unknown Luso-Flemish Master of Lourinhã | Antunes, Vanessa; Serrão, Vítor; Valadas, Sara; Candeias, António; Mirão, José; cardoso, Ana; Manso, Marta; Carvalho, Maria Luísa |
| Nov-2013 | A Pintura Flamenga em Évora no século XVI: novas perspectivas sobre a obra atribuída a Frei Carlos | Valadas, Sara; Cardoso, Ana; Mirão, José; Dias, Cristina; Freire, Rita; Candeias, António |
| 2022 | The Power of Combining MA-XRF, Infrared Reflectography and Digital Microscopy to Unveil the Production of the 16th Century Illuminated Charter of Évora: What May Be Hidden under a Painted Surface? | Miguel, Catarina; Bottura-Scardina, Silva; Bottaini, Carlo; Valadas, Sara; Candeias, António; Bilou, Francisco |
| 19-Dec-2022 | The Study of Edvard Munch sketches collection in view of it's conservative treatment | Suresh, Madhavan Calapatti |
| 2020 | The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises | Melo, Helena Pinheiro; Cruz, António João; Valadas, Sara; Cardoso, Ana Margarida; Candeias, António |
Showing results 19 to 30 of 30
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