|
Please use this identifier to cite or link to this item:
http://hdl.handle.net/10174/17980
|
Title: | On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese- Flemish Paintings Attributed to The Master Frei Carlos Workshop |
Authors: | Valadas, Sara V. Freire, Rita Cardoso, Ana Mirão, José B. Dias, Cristina Vandenabeele, Peter Candeias, António |
Keywords: | microanalysis easel painting green pigment brochantite |
Issue Date: | 2015 |
Citation: | Microsc. Microanal. 21, 518–525, 2015 |
Abstract: | This paper reports an unusual green pigment, brochantite (Cu4(SO4)(OH)6), on 16th-century
Portuguese-Flemish paintings, attributed to the Master Frei Carlos workshop. This green mineral is usually
identified as an impurity or alteration product in the green pigments verdigris (Cu(CH3COO)2 nCu(OH)2) or
malachite (CuCO3 Cu(OH)2). However, after thorough investigation with a broad range of analytical techniques,
it became clear that, in this case, brochantite was applied as a pigment. The abundance, pigment granulometry,
and pigment morphology suggest intentional use by this Portuguese-Flemish Master as a natural pigment rather
than its accidental use as an alteration product. This seems to be a distinguishable feature to other painters
(Flemish and Portuguese) working in Portugal at the beginning of the 16th century.
The multi-analytical study of these easel paintings was first performed by physical imaging techniques and
material characterization was carried out by optical microscopy, micro-Fourier-transform infrared-spectroscopy,
micro-Raman spectroscopy, scanning electron microscopy coupled with energy dispersive X-ray spectrometry,
and micro-X-ray diffraction analysis (XRD). |
URI: | http://hdl.handle.net/10174/17980 |
Type: | article |
Appears in Collections: | HERCULES - Publicações - Artigos em Revistas Internacionais Com Arbitragem Científica
|
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
|