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|Title: ||Josefa d' Óbidos workshop from panel to canvas. Multianalytical approach to materials and technical evolution of the most significant Portuguese painting workshop of the 17th century|
|Authors: ||Antunes, Vanessa|
Carvalho, Maria Luísa
|Issue Date: ||2019|
|Publisher: ||Journal of Molecular Structure|
|Citation: ||Antunes, V., Valadas, S., Serrão, V., Carvalho, M. L., Candeias, A., Mirão, J., ... & Manso, M. (2019). Josefa d'Óbidos workshop from panel to canvas. Multianalytical approach to materials and technical evolution of the most significant Portuguese painting workshop of the 17th century. Journal of Molecular Structure, 1188, 31-41.|
|Abstract: ||In this work we address the study of three groups painted by Josefa d' Óbidos (1630–1684) and by her father
Baltazar Gomes Figueira (1604–1674). These painters were the most important pair working in the 17th
century in Portugal with a Proto-Baroque style and the materials and techniques used by their workshop are
Analytical procedures employed to characterize the materials and painting techniques involve molecular
spectroscopy with μ-Confocal Raman (μ-Raman) and Fourier Transform Infrared Spectroscopy (μ-FTIR) in
combination with other complementary methods such as X-ray Fluorescence Spectroscopy (XRF), μ-X-ray
diffraction (μ-XRD) and Scanning Electron Microscopy with Energy Dispersive spectroscopy (SEM-EDS).
are compared with the instructions of the most significant coeval Iberian painting treatises, with influence
on Óbidos workshop.
Conclusions of this study bring the first insight on the materials used, technical procedures and evolution
from panel to canvas of Óbidos painting workshop, particularly highlighting the work of Josefa d' Óbidos, the
greatest female Portuguese painter of all times.|
|Appears in Collections:||HERCULES - Publicações - Artigos em Revistas Internacionais Com Arbitragem Científica|
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