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Please use this identifier to cite or link to this item:
http://hdl.handle.net/10174/38753
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| Title: | ‘Levantamento documental sobre a vida e obras de pintura mural da artista brasileira Gilda Neuberger (1911-2011) |
| Other Titles: | Documentary survey on the life and mural painting works of Brazilian artist Gilda Neuberger (1911-2011)ResumoGilda Gelmini Neuberger (1911-2011), com mais de 60 anos de carreira, foi uma das raras artistas a produzir afrescos no Brasil durante o século XX. Também foiprovavelmente a única artista brasileira a experimentaressa técnica em suportes não convencionais, assimcomofalso afrescoscujo significado é ainda ambíguo na comunidade artística.No Brasil, a artista foi pupila de Cândido Portinari e de Edson Motta e, em Itália, de Bruno Saetti.Este artigo baseia-seem pesquisasde fontes primárias e secundárias, incluindo depoimentosorais de pessoas que conviveram com Gilda Neuberger ou conheceram o seu trabalho. O objetivo é dar a conhecer a sua trajetória artistica e aferir potenciais influências de seus pares nas suas obras. O artigo também apresenta detalhes do processo de execução e destaca a originalidade dos seus afrescos em variados suportes, que serão futuramente investigados do ponto de vista analítico.PALAVRAS-CHAVEGilda Gelmini NeubergerPercurso artísticoPintura muralAfresco em suportes móveisFalso afrescoAbstractGilda GelminiNeuberger (1911-2011), with a career spanning more than 60 years, was one of the rare artists to produce frescoes in Brazil during the 20th century.Shewas probably also the only Brazilian artist to experiment this techniqueon unconventional supports,as well asfalsefrescoeswith a still ambiguous meaning for the artistic community. In Brazil, the artist was a pupil of Cândido Portinari and Edson Motta and, in Italy, of Bruno Saetti. This article is based on research of primary and secondary sources, including oral testimonies from people who lived with Gilda Neuberger or knew her work. The aim is to reveal her artistic career and evaluate the potential influences of her peers in her work. The article also details the execution process and highlights the originality of her frescoes in various media, which will be analytically investigated in the future.KEYWORDSGilda Gelmini NeubergerArtistic careerMural paintingFrescoin movable supportsFakefresco |
| Authors: | Gil, Milene
Wenzeller, Glaucia
Ferreira, Teesa |
| Keywords: | Gilda Gelmini Neuberger
fresco production
Technical Art History |
| Issue Date: | 18-Jan-2025 |
| Publisher: | Conservar Património |
| Citation: | Wanzeller Martins , G., Gomes, N. ., Ferreira, T. ., & Gil Casal, M. (2024). Documentary survey on the life and mural painting works of Brazilian artist Gilda Neuberger (1911-2011). Conservar Património, 48, 15–31. https://doi.org/10.14568/cp31051 |
| Abstract: | Gilda Gelmini Neuberger (1911-2011), with a career spanning more than 60 years, was one of the rare artists to produce frescoes in Brazil during the 20th century. She was probably also the only Brazilian artist to experiment this technique on unconventional supports, as well as false frescoes with a still ambiguous meaning for the artistic community. In Brazil, the artist was a pupil of Cândido Portinari and Edson Motta and, in Italy, of Bruno Saetti. This article is based on research of primary and secondary sources, including oral testimonies from people who lived with Gilda Neuberger or knew her work. The aim is to reveal her artistic career and evaluate the potential influences of her peers in her work. The article also details the execution process and highlights the originality of her frescoes in various media, which will be analytically investigated in the future. |
| URI: | https://doi.org/10.14568/cp31051
http://hdl.handle.net/10174/38753 |
| Type: | article |
| Appears in Collections: | HERCULES - Publicações - Artigos em Revistas Internacionais Com Arbitragem Científica
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