A change in composition, a change in colour: The case of limestone sculptures from the Portuguese National Museum of Ancient Art
A simple method for labelling and detection of proteinaceous binders in art using fluorescent coumarin derivatives
Understanding the influence of microbial contamination on colour alteration of pigments used in wall paintings—The case of red and yellow ochres and ultramarine blue
MITIGATION APPROACH TO AVOID FUNGAL COLONISATION OF POROUS LIMESTONE
Development of a Simple Method for Labeling and Identification of Protein Binders in Art
