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Browsing by Author Carvalho, Maria Luísa
Showing results 1 to 11 of 11
| Issue Date | Title | Author(s) | | 2020 | An Artist’s Sketchbook: the former altarpiece of Goa Cathedral (India) attributed to the painter Garcia Fernandes – iconographic and stylistic inf luences and underdrawing study | Antunes, Vanessa; Serrão, Vítor; Candeias, António; Mirão, José; Valadas, Sara; Carvalho, Maria Luísa |
| 2011 | Brass lamps: Preliminary study on the constituent materials and production technology by X-ray and microscopical techniques | Simas, M.; Ferreira, T.; Dias, C.; Schiavon, N.; Fragoso, E.; Furtado, M.J.; Silva, R.J.C.; Alegria, A.; Le Gac, A. |
| 2018 | Descobrindo o Manto: decifrando a paleta e a técnica do pintor Gregório Lopes com um estudo sobre a pintura ‘Mater Misericordiae’ de Sesimbra | Antunes, Vanessa; Manso, Marta; Candeias, António; Oliveira, M.J.; Barrocas Dias, Cristina; Manhita, Ana; Francisco, M.J.; Costa, S.; Lauw, A.; Carvalho, Maria Luísa |
| 2019 | Josefa d' Óbidos workshop from panel to canvas. Multianalytical approach to materials and technical evolution of the most significant Portuguese painting workshop of the 17th century | Antunes, Vanessa; Valadas, Sara; Serrão, Vítor; Carvalho, Maria Luísa; Candeias, António; Mirão, José; Cardoso, Ana; Pessanha, Sofia; Manso, Marta |
| 2012 | Multianalytical approach for the authenticity of an eighteenth-century Pascal Taskin harpsichord | Le Gac, Agnes; Estrompa, Raquel; Frade, Jose Carlos; Madeira, Teresa; Cardoso, Ana; Piorro, Luís; Dias, Luís; Mirão, José; Candeias, António; Carvalho, Maria Luísa |
| May-2018 | On the origin of Goa Cathedral former altarpiece: Material and technical assessment to the work of Garcia Fernandes, Portuguese painter from 16th century Lisbon workshop | Antunes, Vanessa; Candeias, António; Mirão, José; Carvalho, Maria Luísa; Serrão, Victor; Barrocas Dias, Cristina; Manhita, Ana; Cardoso, Ana; Manso, Marta |
| 2018 | On the origin of Goa Cathedral former altarpiece: Material and technical assessment to the work of Garcia Fernandes, Portuguese painter from 16th century Lisbon workshop | Antunes, Vanessa; Candeias, António; Mirão, José; Carvalho, Maria Luísa; Serrão, Vitor; Barrocas Dias, Cristina; Manhita, Ana; Cardoso, Ana; Manso, Marta |
| 19-Oct-2019 | A Painter in the Shadow: Unveiling Conservation, Materials and Techniques of the Unknown Luso-Flemish Master of Lourinhã | Antunes, Vanessa; Serrão, Vítor; Valadas, Sara; Candeias, António; Mirão, José; cardoso, Ana; Manso, Marta; Carvalho, Maria Luísa |
| 2018 | Scientific Study of Cistercian Illuminated Manuscripts: Techniques, Aesthetics and Religion | Miguel, Catarina; Nuñez-Gáitan, Angela; Carvalho, Maria Luísa; Barrocas Dias, Cristina |
| 2019 | Scrutinizing Ecce Homo: European or Indian painting? Assessment by Raman and complementary spectroscopic techniques | Antunes, Vanessa; Serrão, Vitor; Candeias, António; Mirão, José; Cardoso, Ana; Carvalho, Maria Luísa; Fernandes, Natasha; Manso, Marta |
| 2015 | White Spots on Smoke Rings by Bruce Nauman: A Case Study On Contemporary Art Conservation Using Microanalytical Techniques | Mafalda, Ana Cardeira; Câmara, Rodrigo Bettencourt da; Strzelec, Patrick; Schiavon, Nick; Mirão, José; Candeias, António; Carvalho, Maria Luísa; Manso, Marta |
Showing results 1 to 11 of 11
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