|
|
Please use this identifier to cite or link to this item:
http://hdl.handle.net/10174/40816
|
| Title: | Digital Experience Theatre: Ideation Tool for Developing Social Significant Digital Products. |
| Authors: | Gorgel Pinto, António Reaes Pinto, Paula |
| Editors: | IAFOR, IAFOR |
| Keywords: | UX Design Theatre of the Oppressed Humanity-Centred Design |
| Issue Date: | 2023 |
| Publisher: | iafor The International Academic Forum |
| Citation: | Gorgel Pinto, A; Reaes Pinto P. et al. (2023). Digital Experience Theatre: Ideation Tool for Developing Social Significant Digital Products. The Paris Conference on Arts & Humanities 2023 Official Conference Proceedings, Paris, 16-19 de Junho (pp. 1-9). In IAFOR. DOI: 10.22492/issn.2758-0970.2023.1 |
| Abstract: | The Paris Conference on Arts & Humanities 2023 Official Conference Proceedings
Digital Experience Theatre:
Ideation Tool for Developing Socially Significant Digital Products
António Gorgel Pinto, Universidade Europeia, Portugal
Joana Ramalho, Universidade Europeia, Portugal
Paula Reaes Pinto, Universidade de Évora – CHAIA, Portugal
Filipe Figueiredo, Universidade Europeia, Portugal
The Paris Conference on Arts & Humanities 2023
Official Conference Proceedings
Abstract
The problem identified in the Digital Experience Theater (DXT) research project is related to
the development of interactive digital products, particularly mobile devices, with relevance
for empowering a place and its community. Digital products, increasingly ubiquitous in
contemporary societies, are a powerful medium for the sociocultural mapping of a
community in a simultaneously local and global context. The contribution of design and
technology in this field has supported economic and cultural progress. Still, this development
only sometimes promotes an integrated economic, social, cultural and environmental
sustainability model. The research aims to experiment with a UX design ideation tool to
enable a reflection and a clear conscience around the sustainable and holistic creation of
digital products and thus promote community development. The DXT leitmotiv is the theatre
of the oppressed, created by August Boal, through which users of web and mobile
applications are considered vulnerable citizens, subject to a profusion of digital products and
their features of questionable usefulness. Following the theatre of the oppressed
methodology, the DXT has been collecting the opinion of experts in the field and developing
an ideation tool to support creatives, namely students and designers in the field of digital
interaction, to contribute to the transformation of this reality and promote the appearance of
innovative and sustainable solutions.
Keywords: UX Design, Theatre of the Oppressed, Humanity-Centred Design |
| URI: | DOI: 10.22492/issn.2758-0970.2023.1 http://hdl.handle.net/10174/40816 |
| Type: | article |
| Appears in Collections: | CHAIA - Artigos em Livros de Actas/Proceedings
|
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
|