|
|
Please use this identifier to cite or link to this item:
http://hdl.handle.net/10174/40722
|
| Title: | From Useful Art to Service Design. Encouraging Migrants’ Creative Thinking through Translocal Services for Social Innovation |
| Authors: | Gorgel Pinto, António Reaes Pinto, Paula |
| Editors: | Gorgel Pinto, António Reaes Pinto, Paula |
| Keywords: | Useful Art Service Design Social Innovation Digital Archive |
| Issue Date: | 2023 |
| Publisher: | Springer |
| Citation: | Gorgel Pinto, A.; Reaes Pinto, P. (2023). From Useful Art to Service Design. Encouraging Migrants’ Creative Thinking through Translocal Services for Social Innovation. In: Kurosu, M.,et al. HCII International 2023 – Late Breaking Papers. Lecture Notes in Computer Science, (Vol 14054, pp. 552-563). Springer. https://doi.org/10.1007/978-3-031-48038-6_35 |
| Abstract: | From Useful Art to Service Design. Encouraging
Migrants’ Creative Thinking Through
Translocal Services for Social Innovation
António Gorgel Pinto1(B ) and Paula Reaes Pinto2
1 UNIDCOM-IADE/Universidade Europeia, Lisbon, Portugal
antonio.gorgel@universidadeeuropeia.pt
2 CHAIA/University of Évora, Évora, Portugal
pmrp@uevora.pt
Abstract. Exploring the areas of arte útil (useful art) and service design for social
innovation, the research focuses on an art and design hybrid practice that can be
understood as transdisciplinary. The social art projects and social design services
pointed out as case studies aim to give practical and significant answers to the lack
of support given by governmental entities, developing innovative experimental
solutions that may contribute to the sociocultural sustainability and inclusion of
migrant communities and citizens living in urban areas. The Immigrant Movement
International, the Conflict Kitchen, and the Shifting Ground case studies have
in common a systematized practice that seeks to enhance social, cultural, and
political issues through a creative process to stimulate critical thinking in the new
culture where the migrants aim to be integrated. Regarding the Shifting Ground,
a common denominator is the relational and dialogical aesthetics crossing all
the project iterations, the migrant citizens’ participation in ceramic workshops to
encourage creative thinking, the production of ceramic sculptures later presented
to the community at large in an exhibition-celebration, and the maintenance of
an online archive to strengthen community bonds. The practice in question is
also contextualized by Bell Hooks’ Eating the Other: Desire and Resistance, and
Rancière’s critical art concept, to better understand the kind of relationship that
may enhance interaction with m |
| URI: | https://doi.org/10.1007/978-3-031-48038-6_35 http://hdl.handle.net/10174/40722 |
| Type: | article |
| Appears in Collections: | CHAIA - Artigos em Livros de Actas/Proceedings
|
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
|