Please use this identifier to cite or link to this item:
http://hdl.handle.net/10174/38934
|
| Title: | Polifonia de Olhares: Os cartazes de Vieira da Silva |
| Authors: | Amado, Maria |
| Editors: | Graziani, Michaela Rita, Annabela |
| Keywords: | Maria Helena Vieira da Silva, April 25 of 1974 Street Art Abstractionism Portraits Community |
| Issue Date: | Dec-2024 |
| Publisher: | Edifir Edizioni |
| Citation: | "Polifonia de Olhares: Os cartazes de Vieira da Silva". in org M. Graziani e A. Rita. (273-291). Firenze: Edifir edizioni Firenze. ISBN:978-88-9280-248-3 |
| Abstract: | The MFA's cultural policy, the history of 25 April through street art, the analysis of posters during PREC, are all well-documented topics with excellent summaries and research.
The aim of this article is more specific - to look at the history of a poster. How two civically committed and creatively liberated friends, with the support of an independent cultural institution, left us a work that celebrates and reflects on 25 April 1974; a poster that today continues to raise questions about our individual participation in a renewed community project.
A poster that even today opens our eyes to the faces, the city and the festival in which we aspire to live for the next 50 years. |
| URI: | http://hdl.handle.net/10174/38934 |
| Type: | bookPart |
| Appears in Collections: | HIS - Publicações - Capítulos de Livros
|
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.
|