<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0">
  <channel>
    <title>DSpace Collection:</title>
    <link>http://hdl.handle.net/10174/1687</link>
    <description />
    <pubDate>Sat, 04 Apr 2026 00:09:50 GMT</pubDate>
    <dc:date>2026-04-04T00:09:50Z</dc:date>
    <item>
      <title>“Todos los seres duermen sobre algo menos vivo que ellos”: intuiciones estéticas en la dramaturgia de Ana Torres</title>
      <link>http://hdl.handle.net/10174/40956</link>
      <description>Title: “Todos los seres duermen sobre algo menos vivo que ellos”: intuiciones estéticas en la dramaturgia de Ana Torres
Authors: Castro Filho, Claudio
Editors: Rizzo, Alberto
Abstract: El trabajo consiste en un análisis estético de la obra "Con lo que me gustan a mí las flores", de Ana Torres, buscando señalar sus claves dramatúrgicas mediante un acercamiento a lo onírico, según lo plantea la filósofa María Zambrano en "El sueño creador".</description>
      <pubDate>Mon, 01 Jan 2024 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/10174/40956</guid>
      <dc:date>2024-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>“Resucitada de muertas que no han muerto”: ressonâncias míticas no labirinto teatral arrabalesco</title>
      <link>http://hdl.handle.net/10174/40913</link>
      <description>Title: “Resucitada de muertas que no han muerto”: ressonâncias míticas no labirinto teatral arrabalesco
Authors: Castro Filho, Claudio
Editors: Carneiro, Flávio; Magri, Ieda; Davino, Leonardo; Soares, Marcos
Abstract: O capítulo passa em revista a trajetória dramatúrgica de Fernando Arrabal e, primeiramente, busca identificar as principais linhas de força da sua escrita teatral transgressora. Em um segundo momento, o trabalho salienta alguns dos processos de desconstrução do mito na obra arrabalesca, com ênfase numa leitura pormenorizada da peça operística Faustbal.</description>
      <pubDate>Mon, 01 Jan 2024 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/10174/40913</guid>
      <dc:date>2024-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Where Are We? Performative Strategies of Encounter</title>
      <link>http://hdl.handle.net/10174/37647</link>
      <description>Title: Where Are We? Performative Strategies of Encounter
Authors: Cantinho, Beatriz; Mendes Silva, Susana
Editors: Dinis, Frederico
Abstract: This chapter is a visual, aural, and written iteration of the performative walk “Where are we? Performing the city, slowing down time” developed and presented by the artists Beatriz Cantinho and Susana Mendes Silva in the context of the “Elia Academy 2023: exploring situatedness” that took place in the University of Évora in May. The aesthetic focus of this performative walk was a reflection on how one can create connections with the place where one is, and how one can look and unveil lost, forgotten, or erased stories of a given territory. The territory was the city of Évora, where Cantinho and Mendes Silva wanted participants to experience its history, landscape and soundscape, and their own bodies, their own presence from a situated perspective. The authors also wanted to trigger a conscious experience that contrasted with the touristic way of experiencing this World Heritage city and its water systems.</description>
      <pubDate>Mon, 01 Jan 2024 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/10174/37647</guid>
      <dc:date>2024-01-01T00:00:00Z</dc:date>
    </item>
    <item>
      <title>A Sedução pela palavra. Estudos em homenagem a Cristina Almeida Ribeiro</title>
      <link>http://hdl.handle.net/10174/37638</link>
      <description>Title: A Sedução pela palavra. Estudos em homenagem a Cristina Almeida Ribeiro
Authors: Zurbach, Christine
Editors: Silva, Maria Graciete; Marques Antunes, Maria Helena; Rodrigues de Sousa, Sara; Fernandes, Ângela
Abstract: O estudo aborda a dramaturgia da obra A Ilusão Cómica de Corneille com enfoque no processo de escrita do dramaturgo com recurso ao género da comédia barroca.</description>
      <pubDate>Mon, 01 Jan 2024 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">http://hdl.handle.net/10174/37638</guid>
      <dc:date>2024-01-01T00:00:00Z</dc:date>
    </item>
  </channel>
</rss>

