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Browsing by Author Cardoso, Ana
Showing results 9 to 28 of 29
Issue Date | Title | Author(s) | Jun-2022 | INSIGHTS ON THE INTEGRATED STUDY PERFORMED IN A SHARED HERITAGE COLLECTION: THE VICEROYS GALLERY | Reis, Teresa; Valadas, Sara; Machado, Ana; Piorro, Luís; Cardoso, Ana; Pereira, Fernando António Baptista; Candeias, António; Carriço, Nuno |
2016 | José de Escovar at the Chapel of the Souls: Technical and Material Study of a 1603 Panel Painting | Gil, Milene; Pereira, Catarina; Relvas, Cátia; Nunes, Margarida; Pessanha, Sofia; Cardoso, Ana; Antunes, Vanessa; Monteiro, Patríica; Ferreira, Teresa |
2019 | Josefa d' Óbidos workshop from panel to canvas. Multianalytical approach to materials and technical evolution of the most significant Portuguese painting workshop of the 17th century | Antunes, Vanessa; Valadas, Sara; Serrão, Vítor; Carvalho, Maria Luísa; Candeias, António; Mirão, José; Cardoso, Ana; Pessanha, Sofia; Manso, Marta |
2016 | MATERIAL CHARACTERIZATION OF GILDING AND PAINTING TECHNIQUES OF A POST-BYZANTINE ICON | Oliveira, Maria; Crespo, M. Teresa; Costa, Sónia; Barrocas Dias, Cristina; Manhita, Ana; Cardoso, Ana; Dias, Luis; Candeias, António |
10-Feb-2017 | Micro-Raman spectroscopy and complementary techniques (hXRF, VP-SEM-EDS, μ-FTIR and Py-GC/MS) applied to the study of beads from the Kongo Kingdom (Democratic Republic of the Congo) | Coccato, Alessia; Costa, Mafalda; Rousaki, Anastasia; Clist, Bernard-Olivier; Karklins, Karlis; Bostoen, Koen; Manhita, Ana; Cardoso, Ana; Barrocas Dias, Cristina; Candeias, António; Moens, Luc; Mirão, José; Vandenabeele, Peter |
Jun-2015 | Microscopy and Microanalysis of an Extreme Case of Salt and Biodegradation in 17th Century Wall Paintings | Gil, Milene; Martins, M. Rosário; Carvalho, M. Luisa; Souto, Cátia; Longelin, Stephane; Cardoso, Ana; Mirão, José; Candeias, António |
2012 | Multianalytical approach for the authenticity of an eighteenth-century Pascal Taskin harpsichord | Le Gac, Agnes; Estrompa, Raquel; Frade, Jose Carlos; Madeira, Teresa; Cardoso, Ana; Piorro, Luís; Dias, Luís; Mirão, José; Candeias, António; Carvalho, Maria Luísa |
2016 | New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques | Valadas, Sara; Freire, Rita; Cardoso, Ana; Mirao, Jose; Vandenabeele, Peter; Caetano, Joaquim; Candeias, Antonio |
2016 | Non-invasive methodology for the identification of plastic pieces in museum environment – a novel approach | Pereira, António; Candeias, António; Cardoso, Ana; Rodrigues, Denis; Vandenabeele, Peter; Caldeira, A Teresa |
2019 | Old masters under the microscope. Technical and material comparison of a 17th c. mural and panel painting assigned to José de Escovar in Southern Portugal | Gil, Milene; Manso, Marta; Pessanha, Sofia; Manhita, Ana; Cardoso, Ana; Nunes, Margarida; Relvas, Cátia; Monteiro, Patrícia; Pereira, Catarina; Mirão, José; Ferreira, Teresa |
2020 | Old masters under the microscope. Technical and material comparison of a 17th c. mural and panel painting assigned to José de Escovar in Southern Portugal | Gil, Milene; Manso, Marta; Pessanha, Sofia; Manhita, Ana; Cardoso, Ana; Nunes, Margarida; Relvas, Cátia; Monteiro, Patrícia; Pereira, Catarina; Ferreira, Teresa |
2018 | On the origin of Goa Cathedral former altarpiece: Material and technical assessment to the work of Garcia Fernandes, Portuguese painter from 16th century Lisbon workshop | Antunes, Vanessa; Candeias, António; Mirão, José; Carvalho, Maria Luísa; Serrão, Vitor; Barrocas Dias, Cristina; Manhita, Ana; Cardoso, Ana; Manso, Marta |
May-2018 | On the origin of Goa Cathedral former altarpiece: Material and technical assessment to the work of Garcia Fernandes, Portuguese painter from 16th century Lisbon workshop | Antunes, Vanessa; Candeias, António; Mirão, José; Carvalho, Maria Luísa; Serrão, Victor; Barrocas Dias, Cristina; Manhita, Ana; Cardoso, Ana; Manso, Marta |
2022 | On the physical vulnerability of buildings exposed to landslide hazard: application to the Lisbon Metropolitan Area | Cardoso, Ana; Pereira, Susana; Ferreira, Tiago M.; Zêzere, José L.; Melo, Raquel; Vaz, Teresa; Oliveira, Sérgio C.; Garcia, Ricardo A.C.; Santos, Pedro P.; Reis, Eusébio; Lourenço, Paulo B. |
2021 | On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments | Gil, Milene; Costa, Mafalda; Cardoso, Ana; Valadas, Sara; Helvaci, Yigit; Bhattacharya, Sriradha; Moita, Patricia; Candeias, António |
2015 | On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese- Flemish Paintings Attributed to The Master Frei Carlos Workshop | Valadas, Sara; V. Freire, Rita; Cardoso, Ana; Mirão, José; B. Dias, Cristina; Vandenabeele, Peter; Candeias, António |
8-Sep-2023 | Paint, Colour, and Style: The Contribution of Minerals to the Palette of the Descent from the Cross, Attributed to the Portuguese Painter Francisco João (act. 1558–1595) | Melo, Helena P.; Cruz, António João; Sanyova, Jana; Valadas, Sara; Cardoso, Ana |
Nov-2013 | A Pintura Flamenga em Évora no século XVI: novas perspectivas sobre a obra atribuída a Frei Carlos | Valadas, Sara; Cardoso, Ana; Mirão, José; Dias, Cristina; Freire, Rita; Candeias, António |
2019 | Scrutinizing Ecce Homo: European or Indian painting? Assessment by Raman and complementary spectroscopic techniques | Antunes, Vanessa; Serrão, Vitor; Candeias, António; Mirão, José; Cardoso, Ana; Carvalho, Maria Luísa; Fernandes, Natasha; Manso, Marta |
19-Dec-2022 | The Study of Edvard Munch sketches collection in view of it's conservative treatment | Suresh, Madhavan Calapatti |
Showing results 9 to 28 of 29
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