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http://hdl.handle.net/10174/42057
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| Title: | Brave Women. The path of a collaborative dramaturgy between the stones of the city and the boards of the theatre |
| Authors: | Bezelga, Isabel |
| Editors: | Lima, Evelyn
Drago, Niuxa
Lyra, Carolina |
| Keywords: | collaborative Dramaturgy
memory
Women
invisibility |
| Issue Date: | May-2026 |
| Publisher: | Letra Capital Editora/FAPERJ |
| Citation: | Bezelga, I. (2026). Brave Women. The path of a collaborative dramaturgy between the stones of the city and the boards of the theatre. In Evelyn F.W.Lima, Niuxa Drago e Carolina Lyra (eds.). At the Crossroads of History and Criticism: Architecture, Performing Arts and Cultural Heritage, (pp.212- 230). Letra Capital Editora/FAPERJ. ISBN978-65-89587-53-8 |
| Abstract: | his chapter aims to discuss issues related to the project As Bravas: silenced voices and female invisibility, developed within the scope of the research we are conducting at the Centre for Art History and Artistic Research (CHAIA), at the University of Évora, Portugal. Continuing our research on Performance, heritage and community, we focused on performative creation as a way of questioning the historical invisibility of women, giving space and voice to the silences that span centuries, deepening the processes of collaborative dramaturgy, not only as a method of sharing authorship, but as a political and poetic gesture of reinscribing collective memory. |
| URI: | http://hdl.handle.net/10174/42057 |
| ISBN: | ISBN978-65-89587-53-8 |
| Type: | bookPart |
| Appears in Collections: | CHAIA - Publicações - Capítulos de Livros
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CHAIA - Publicações - Capítulos de Livros /
