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Please use this identifier to cite or link to this item:
http://hdl.handle.net/10174/35190
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Title: | The Lacerda 120 exhibition |
Authors: | Lopes, Quintino Lacerda, Paulo Pereira, Elisabete |
Editors: | Lopes, Quintino Braun, Angelika Ashby, Michael |
Keywords: | Fonética Experimental Armando de Lacerda Cromógrafo |
Issue Date: | 2022 |
Publisher: | Technische Universität Dresden Press |
Citation: | LOPES, Quintino; LACERDA, Paulo; PEREIRA, Elisabete (2022), “The Lacerda 120 exhibition” in LOPES, Quintino; BRAUN, Angelika; ASHBY, Michael (eds.), Lacerda 120. Proceedings of the Fifth International Workshop on the History of Speech Communication Research, Dresden: Technische Universität Dresden Press, pp. 119-136. |
Abstract: | Held in the house lived in by Armando de Lacerda, which has been owned by the
family for over 120 years, the exhibition also tells us much about Lacerda’s family life,
including a collection of his documents from the family archive, held by his grandson,
Paulo de Lacerda, who in recent years has grown the archive with the addition of the
António Almeida fund, donated by himself, and the Göran Hammarström fund, donated
by his daughter Marika Hammarström. The fact that the exhibition portrays Lacerda’s
professional and family life does not preclude the notion of the global responsibility of
the project, and the curators decided to invite Irina Kostyuk from Ukraine to bear witness
to the importance of the “Sharing European Histories” project (EuroClio; Evens
Foundation), which demonstrates to groups of schoolchildren the importance of the
“Lacerda polychromograph” as an example of how, even during a period of nationalism
and authoritarianism such as the 1930s, when the instrument was invented, it was possible
to establish bridges and a dialogue between scientists from a number of countries living
under different political regimes. |
URI: | http://hdl.handle.net/10174/35190 |
Type: | bookPart |
Appears in Collections: | IHC - Publicações - Capítulos de Livros
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