Please use this identifier to cite or link to this item:
http://hdl.handle.net/10174/32701
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Title: | Interpretation versus Performance in the work De Profundis by Sofia Gubaidulina |
Authors: | Pescada, Gonçalo |
Editors: | Pescada, Gonçalo |
Keywords: | De Profundis Sofia Gubaidulina Interpretive Practices Contemporary Music |
Issue Date: | Jan-2022 |
Publisher: | Transilvania University of Braşov |
Abstract: | Sofia Gubaidulina's work introduces new sounds and an incessant search for
spirituality through sound. De Profundis, Et Expecto, Silenzio, Last seven Words, Fachwerk,
Under the sign of Scorpio are some of the composer's works inspired by the orthodox chants
that insert the Bayan (accordion) as a scholarly instrument and essential vehicle for
metamorphosis in musical language. The article is presented in three sections: general
notions about the composer and work, interpretive analysis and the interpreter's point of
view (interpretive practice). |
URI: | https://doi.org/10.31926/but.pa.2021.14.63.2.10 http://hdl.handle.net/10174/32701 |
Type: | article |
Appears in Collections: | CESEM - Publicações - Artigos em Revistas Internacionais Com Arbitragem Científica
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