Please use this identifier to cite or link to this item: http://hdl.handle.net/10174/20278

Title: À propos de Bohor (1962) de Iannis Xenakis
Authors: Gibson, Benoît
Editors: Solomos, Makis
Keywords: Iannis Xenakis
Bohor
Issue Date: 2015
Publisher: L’Harmattan (Paris, France)
Citation: Benoît GIBSON, “À propos de Bohor (1962) de Iannis Xenakis”, in Makis Solomos (Ed.) Iannis Xenakis, La musique électroasoutique. The electroacoustic music, (Paris, L’Harmattan, 2015), pp. 83–96. ISBN: 9782343066967
Abstract: Bohor is the last of the five electronic works composed by Iannis Xenakis at the studio of the Groupe de Recherches Musicales at the French Radio in Paris. It is also presented as the first piece conceived for eight channels. Relying on Xenakis's writings and interviews, and on documents and sketches located in the Xenakis Archives, this paper contextualises Bohor and provides elements of analysis on the relationship between music and the composer's graphic plan of the work. It also shows the many possibilities imagined by Xenakis over the years for the sound diffusion of Bohor.
URI: http://www.editions-harmattan.fr/catalogue/couv/aplat/9782343066967.pdf
http://hdl.handle.net/10174/20278
ISBN: 9782343066967
Type: article
Appears in Collections:CESEM - Artigos em Livros de Actas/Proceedings

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