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Browsing by Author Cardoso, Ana
Showing results 16 to 26 of 26
| Issue Date | Title | Author(s) | | 2020 | Old masters under the microscope. Technical and material comparison of a 17th c. mural and panel painting assigned to José de Escovar in Southern Portugal | Gil, Milene; Manso, Marta; Pessanha, Sofia; Manhita, Ana; Cardoso, Ana; Nunes, Margarida; Relvas, Cátia; Monteiro, Patrícia; Pereira, Catarina; Ferreira, Teresa |
| 2019 | Old masters under the microscope. Technical and material comparison of a 17th c. mural and panel painting assigned to José de Escovar in Southern Portugal | Gil, Milene; Manso, Marta; Pessanha, Sofia; Manhita, Ana; Cardoso, Ana; Nunes, Margarida; Relvas, Cátia; Monteiro, Patrícia; Pereira, Catarina; Mirão, José; Ferreira, Teresa |
| May-2018 | On the origin of Goa Cathedral former altarpiece: Material and technical assessment to the work of Garcia Fernandes, Portuguese painter from 16th century Lisbon workshop | Antunes, Vanessa; Candeias, António; Mirão, José; Carvalho, Maria Luísa; Serrão, Victor; Barrocas Dias, Cristina; Manhita, Ana; Cardoso, Ana; Manso, Marta |
| 2018 | On the origin of Goa Cathedral former altarpiece: Material and technical assessment to the work of Garcia Fernandes, Portuguese painter from 16th century Lisbon workshop | Antunes, Vanessa; Candeias, António; Mirão, José; Carvalho, Maria Luísa; Serrão, Vitor; Barrocas Dias, Cristina; Manhita, Ana; Cardoso, Ana; Manso, Marta |
| 2022 | On the physical vulnerability of buildings exposed to landslide hazard: application to the Lisbon Metropolitan Area | Cardoso, Ana; Pereira, Susana; Ferreira, Tiago M.; Zêzere, José L.; Melo, Raquel; Vaz, Teresa; Oliveira, Sérgio C.; Garcia, Ricardo A.C.; Santos, Pedro P.; Reis, Eusébio; Lourenço, Paulo B. |
| 2021 | On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments | Gil, Milene; Costa, Mafalda; Cardoso, Ana; Valadas, Sara; Helvaci, Yigit; Bhattacharya, Sriradha; Moita, Patricia; Candeias, António |
| 2015 | On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese- Flemish Paintings Attributed to The Master Frei Carlos Workshop | Valadas, Sara; V. Freire, Rita; Cardoso, Ana; Mirão, José; B. Dias, Cristina; Vandenabeele, Peter; Candeias, António |
| Nov-2013 | A Pintura Flamenga em Évora no século XVI: novas perspectivas sobre a obra atribuída a Frei Carlos | Valadas, Sara; Cardoso, Ana; Mirão, José; Dias, Cristina; Freire, Rita; Candeias, António |
| 2019 | Scrutinizing Ecce Homo: European or Indian painting? Assessment by Raman and complementary spectroscopic techniques | Antunes, Vanessa; Serrão, Vitor; Candeias, António; Mirão, José; Cardoso, Ana; Carvalho, Maria Luísa; Fernandes, Natasha; Manso, Marta |
| 19-Dec-2022 | The Study of Edvard Munch sketches collection in view of it's conservative treatment | Suresh, Madhavan Calapatti |
| 2021 | Unveiling the mural paintng art of Almada Negreiros at the Maritime Stations of Alcântara (Lisbon): diagnosis research of paint layers as a guide for its future conservation | Gil, Milene; Costa, Mafalda; Cvetkovic, Mila; Bottaini, Carlo; Cardoso, Ana; Manhita, Ana; Barrocas Dias, Cristina; Candeias, António |
Showing results 16 to 26 of 26
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